Feature Films

  • Rabbit, Drama, Dir. Jesse James Miller, Profile Films/Super Channel. 2019 Leo Award, Best Musical Score in a Feature Length Drama
  • No Clue, Comedy, Dir. Carl Bessai, Entertainment One Films (Canada)/Myriad Pictures (USA). 2014 Leo Award, Best Musical Score in a Feature Length Drama
  • Becoming Redwood, Drama, Dir. Jesse James Miller, Screen Media Films (USA). 2013 Leo Award Nomination, Best Musical Score in a Feature Length Drama
  • Hard Core Logo, Drama, Dir. Bruce McDonald, Rolling Thunder/Miramax (USA)
  • Hamlet, Dir. Bruce Ramsay, Hamlet Productions. 2012 Leo Award Nomination, Best Musical Score in a Feature Length Drama
  • Fathers & Sons, Comedy, Dir. Carl Bessai, Exec. Prod. Laura Lightbown, Raven West Films. 2011 Leo Award, Best Musical Score in a Feature Length Drama
  • Hardwired, Dir. Ernie Barbarash, Starring Cuba Gooding Junior and Val Kilmer, Sony Pictures (USA)
  • My Father’s Angel, Drama, Dir. Davor Marjanovic, Ranfilm (Canada)/Porchlight (USA). 2000 Leo Award, Best Musical Score in a Feature Length Drama
  • Turbulence 3, Heavy Metal, Drama, Starring Rutger Hauer, Dir. Jorge Montesi, co-composed and co-produced 2 songs for film (no underscore), OG Productions/Milestone Productions (Canada)/Trimark (USA)
  • Bad Money, Dark Comedy, Dir. John Hazlett, Security Films/Red Sky
  • Kitchen Party, Dark Comedy, Starring Scott Speedman, Dir. Gary Burns, Sub Urban Films/Odeon
  • Expert Witness, Drama, Dir. Shep Salusky, Big Break Films (USA)
  • Tribe Of Joseph, Drama, Dir. Cleetch, Edge Entertainment

Television series

  • The Romeo Section, Series Composer, 1hr. Drama (20 episodes), Seasons 1 & 2, (all 20 episodes), Exec. Prod. Chris Haddock, Romeo Section Productions Inc., CBC, Red Arrow International. 2016 Leo Award, Best Musical Score in a Dramatic Series; 2017 Canadian Screen Award Nomination, Best Original Music Score for a Series
  • Sports on Fire, TV mini series, (6 episodes), Dir/Exec Prod. Pete McCormack, Bell Media/Corus Entertainment/Entertainment One
  • Intelligence, Seasons I & II, 1hr. Drama, (all 25 episodes) Exec. Prod. Chris Haddock, Watcher Films II / Haddock Ent., CBC. 2006 Gemini Award Nomination, Best Original Music Score for a Dramatic Series
  • Da Vinci’s Inquest, 1hr. Drama, Season V (episodes #59, #62, #65), Season VI (all 13) and Season VII (all 13), Exec. Prod. Chris Haddock, Da Vinci Productions Inc. / Haddock Ent., CBC
  • Da Vinci’s City Hall, 1hr. Drama, series (all 13 episodes), Exec. Prod. Chris Haddock, Da Vinci City Productions Inc. / Haddock Ent., CBC
  • The Handler, 1hr. Drama, pilot and series, Starring Joe Pantoliano, Exec. Prod. Chris Haddock, Paramount / Viacom, CBS (USA)
  • Terminal City, 1hr. Drama, co-composed Theme and Series, Exec. Prods. Angus Fraser/Jayme Pfahl, Crescent Entertainment, Movie Central, Movie Network, CHUM Ltd., 2006 Leo Award, Best Musical Score in a Dramatic Series
  • The Immortal, Series Composer, 1hr Drama (22 episodes), Exec. Prod. Michael Grais, NBC (USA)
  • Lightning Force, Series Composer, (24 episodes, 1/2hr.) Action adventure, Crescent Entertainment (Canada)/Neufeld-Rehme/Viacom (USA)
  • Captain Starship, 1/2 hour Pilot, Sci Fi Comedy, Dir. Jesse James Miller, Captain Starship Productions

Feature Documentaries

  • I Am Richard Pryor, 91mins + 61mins, Dir. Jesse James Miller, Paramount Network (USA)
  • Chasing Evel: The Robbie Knievel Story, Dir. Jesse James Miller, Super Channel. 2017 Leo Award Nomination, Best Musical Score in a Feature Length Documentary
  • Spirit Unforgettable, Dir. Pete McCormack, Spirit Unforgettable Films Ltd., Bell Media. 2017 Leo Award Nomination, Best Musical Score in a Feature Length Documentary
  • Blood Relative, Dir. Nimisha Mukerji, Blood Relative Productions Inc. 2013 Leo Award, Best Musical Score in a Documentary Program or Series
  • The Good Son: The Life of Ray ‘Boom Boom’ Mancini, Dir. Jesse James Miller, St. Sophia LLC (USA). 2013 Leo Award Nomination, Best Musical Score in a Documentary Program or Series
  • I Am Bruce Lee, Dir. Pete McCormack, Spike/FremantleMedia (USA). 2012 Leo Award, Best Musical Score in a Documentary Program or Series
  • Facing Ali, Composer and Music Consultant, Dir. Pete McCormack, Lions Gate Films/Muhammad Ali Enterprises. Shortlisted for a 2010 Academy Award
  • Mighty Jerome, Dir. Charles Officer, National Film Board of Canada. 2011 Leo Award, Best Musical Score in a Documentary Program or Series; 2012 Emmy Award, Best Historical Documentary
  • Confessions Of An Innocent Man: William Sampson, Dir. David Paperny, Paperny Films, CTV
  • Ballet Black, Dir. Stephen Dwoskin, Channel 4 (UK)

Television Films

  • Intelligence, 2hr MOW, Drama, Dir. Stephen Surjik, Exec. Prod. Chris Haddock, Watcher Films / Haddock Ent., CBC
  • The Quality Of Life, 2hr. MOW, Drama, Dir. John Fawcett, Exec. Prod. Chris Haddock, Da Vinci City Films / Haddock Ent., CBC
  • The Life, 2hr. MOW, Starring Bruce Greenwood, Dir. Lynne Stopkewich, Exec. Prods. Chris Haddock/Pierre Sarrazin, Prod. Arvi Liimatainen, Odd Man Out Films, CTV. 2005 Gemini Award Nomination, Best Original Music Score for a Program or Mini-Series
  • The Cult, 1 hour drama, Dir. Kari Skogland, Prods. Angus Fraser and Jayme Pfahl, New Kingdom Productions Ltd., CBC
  • The Last Connection, 1 hour drama, Dir. Jaroslaw Rombalski, JR Films
  • Further & Particular, 90 min. Movie for TV, Dir. Stephen Dwoskin, Channel 4 (UK)
  • Playing for Keeps, 2hr. MOW, Drama, Dir. Gary Harvey, Prod. Howard Dancyger, Lifetime (USA)/CTV (Canada)
  • Life In A Day, Sci-Fi Drama, 2 hr. Film for TV, Dir. Eleanore Lindo, Singer/White Films, Paramount (USA)
  • Betrayed, 2hr. MOW, Dir. Anne Wheeler, Barna-Alper Productions, CBC
  • Isabella Rocks / Murder Among Friends, 2 hr. MOW, Dir. Michael Kennedy, Exec. Prods. Fred Silverman/Lewis Chesler, Chesler Perlmutter/Mystery Wheel Productions/Hallmark, PAX TV (USA)
  • The Pastor’s Wife, 2hr. MOW, Drama, Starring Rose McGowan, Dir. Norma Bailey, Preacher Road Production, Lifetime (USA)

Documentaries

  • Many Rivers Home, Documentary, Dir. Baljit Sangra, Vivamantra Films, Omni Television
  • Twin Life: Sharing Mind and Body, Documentary, Dir. Judith Pyke, Entertainment One, CBC
  • My American Exodus, Documentary, Dir. Jesse James Miller, Backyard Buddha Productions
  • Abandon Ship: The Sinking of the SV Concordia, Documentary, Dir. Dianne Carruthers-Wood, CBC
  • Mars & Venus Today, Documentary, Dir. Dianne Carruthers-Wood, Endless Media Group, CBC
  • Ballet Black, Documentary, Dir. Stephen Dwoskin, Arts Council of Great Britain (UK)
  • Is That It, Docudrama, Dir. Wilf Thust, Channel 4 (UK)
  • The Vanishing Housewife, Documentary, Exec. Prod. Christine Haebler, Kitchen Sink Inc.
  • Landscape Of Exile, Documentary, Dir. Jane Walker, co-composed with Man Jumping, BBC (UK)

Short Films

  • Devoured, Feature Short, Dir. Thomas Chretien, Pandapix Enterprise Inc
  • Lily’s Crossing, Feature Short, Dir. James Kingstone & Sean Ronan, Hammer & Tong Picture Industries
  • Off Key, Feature Short, Dir. Karethe Linaae, Nomad Pictures. Dolby Short Film Sound Award
  • To The Sea, Short, Dir. Catharine Park, 428054 B.C.
  • Does That Make Me A Bad Person?, 1hr. movie for TV, Dark Comedy, Dir. Tony Papa, Avanti Pictures
  • The Miracle, Feature Short, Dir. Asghar Massombagi, Sheeraz Productions
  • All Tomorrow’s Parties, Feature Short, Dir. Marco Ciccone, Pasta Films

Album Credits

  • World Service, Man Jumping, Remastered, Emotional Rescue, Vinyl+Streaming (2020)
  • Man Jumping Remixed 3, Remixes by Bullion/Reckonwrong/Gengahr/William Doyle, Vinyl+Streaming, Emotional Rescue (2020)
  • Man Jumping Remixed 2, Man Jumping, Remixes by Khidja, Vinyl+Streaming, Emotional Rescue (2020)
  • Man Jumping Remixed 1, Man Jumping, Remixes by Low Island/Gilligan Moss, Vinyl+Streaming, Emotional Rescue (2019)
  • Jumpcut, Man Jumping, Remastered, Emotional Rescue, Vinyl+Streaming (2019)
  • Rabbit, Original Motion Picture Soundtrack, Schaun Tozer, Zing Zang Music, Tunecore
  • Mighty Jerome, Original Motion Picture Soundtrack, Schaun Tozer, TuneCore
  • Jump Cut (12″ Mixes), Man Jumping, Remastered, Beggars Group/Man Jumping Recordings, (2018)
  • Jump Cut, Man Jumping, Remastered, Beggars Group/Man Jumping Recordings, The State51 Conspiracy, Streaming (2017)
  • The Romeo Section, Original Music from the TV Series, Romeo Section Productions/Zing Zing Music, TuneCore
  • No Clue, Original Music Score Soundtrack Album, Schaun Tozer, TuneCore
  • Sports on Fire, Original Motion Picture Soundtrack, Schaun Tozer, TuneCore
  • Sidetracks, Remixes (Facing Ali & I Am Bruce Lee), Schaun Tozer, TuneCore
  • Blood Relative, Original Motion Picture Soundtrack, Schaun Tozer, TuneCore
  • The Good Son, Original Motion Picture Soundtrack, Schaun Tozer, TuneCore
  • Intelligence, Original Music Score Soundtrack Album, Watcher Films/Zing Zang Music, TuneCore
  • Jump Cut, Man Jumping, Shaping the Invisible/Carbon 7, Sony
  • Kitchen Party, Soundtrack Album, Page Records
  • World Service, Man Jumping, Virgin/Editions E.G.
  • Aerotropics, Man Jumping, Cocteau Records
  • In The Jungle, Man Jumping, Cocteau Records
  • Jump Cut, Man Jumping, Cocteau Records
  • The Lost Jockey 2, The Lost Jockey, Rough Trade Records
  • The Lost Jockey 1, The Lost Jockey, Crepescule
  • Professor Slack, The Lost Jockey, Rough Trade Records

Awards

  • Rabbit, Feature Film, 2019 Leo Award, Best Musical Score in a Feature Length Drama
  • The Romeo Section, Television Series, 2017 Canadian Screen Award Nomination, Best Original Music Score for a Series
  • Spirit Unforgettable, Feature Documentary, 2017 Leo Award Nomination, Best Musical Score in a Feature Length Documentary
  • Chasing Evel: The Robbie Knievel Story, Feature Documentary, 2017 Leo Award Nomination, Best Musical Score in a Feature Length Documentary
  • The Romeo Section, Television Series, 2016 Leo Award, Best Musical Score in a Dramatic Series
  • No Clue, Feature Film, 2014 Leo Award, Best Musical Score in a Feature Length Drama
  • Blood Relative, Feature Documentary. 2013 Leo Award, Best Musical Score in a Documentary Program or Series
  • Becoming Redwood, Feature Film. 2013 Leo Award Nomination, Best Musical Score in a Feature Length Drama
  • The Good Son: The Life of Ray ‘Boom Boom’ Mancini, Feature Documentary. 2013 Leo Award Nomination, Best Musical Score in a Documentary Program or Series
  • Hamlet, Feature Film. 2012 Leo Award Nomination, Best Musical Score in a Feature Length Drama
  • I Am Bruce Lee, Feature Documentary. 2012 Leo Award, Best Musical Score in a Documentary Program or Series
  • Fathers & Sons, Feature Film. 2011 Leo Award, Best Musical Score in a Feature Length Drama
  • Mighty Jerome, Feature Documentary. 2011 Leo Award, Best Musical Score in a Documentary Program or Series
  • Intelligence, Television Series. 2007 Gemini Award nomination, Best Original Music Score for a Dramatic Series
  • Terminal City, Television Series. 2006 Leo Award, Best Musical Score in a Dramatic Series
  • The Life, Television Film, 2004 Gemini Award nomination, Best Original Music Score for a Program or Mini-Series
  • My Father’s Angel, Feature Film. 2000 Leo Award, Best Musical Score in a Feature Length Drama
  • Off Key, Feature Short. 1994 Dolby Short Film Sound Award

Explore Schaun's Work

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praise forIntelligence

Down But Not Out … a frenetic conclusion, all to a pulsating soundtrack by series composer Schaun Tozer.”

TV Review

praise forIntelligence

“The series is scored by Schaun Tozer. His alt-rock soundtrack is unique and fits the scenes perfectly. Additionally, at no point did I notice the volume of the music over-ride the dialogue, as tends to be the case in many series. The score adds to the viewer’s experience of the story considerably. Very smart.”

RHIANNON BENEDICT, Einsiders.com 

praise forFacing Ali

“The standout original music of Schaun Tozer underscores an already compelling film.”

Seattle International Film Festival, 2009 

praise forNo Clue

“Composer Schaun Tozer created a beautiful soundtrack that evokes an atmosphere of the film noir genre with a modern action movie edge.”

STACEY GILLARD, DNM Magazine

praise forIntelligence

“Currently airing in 140 countries, Intelligence just might be one of the best dramas on TV…The cinematography, the sound, the editing, the music – this is how music is supposed to be used in a TV drama – are all first class”.

ALEX STRACHAN, Ottawa Citizen

praise forIntelligence

“From Vancouver’s mean streets to its high-rise offices, Intelligence’s gritty realism is accented by Schaun Tozer’s moody score and cutting-edge alt-rock soundtrack.”

DIANE KRISTINE, TV-Eh

praise forIntelligence

“Superbly-crafted”,

JOHN DOYLE, Globe and Mail 

praise forIntelligence

“… an exotic fantasy garden of intriguing sounds… The style with which this series (Intelligence) is presented gives it an addictive quality, and a big part of that is the musical score by Schaun Tozer (Facing Ali). One can tend to take that for granted, because it is so well blended with the action, cutting in and out, heightening suspenseful scenes, and disappearing at times. The intriguing “instruments” (what’s the new word?) are a new breed of cat, sometimes sounding like a Sitar, and in this episode there is a sequence of what sounds like keyboard repetitive chording, a la Phillip Glass, but this was more interesting and melodic than that. Altogether, this episode was a standout for the musical score. The main theme of the series, by the “Sitar” as I call it, got a swinging percussive treatment that literally had me up on my feet dancing.”

MADELINE BRUCE, Canadian Dimension Magazine, Intelligent Commentary: Episode 8

praise forNo Clue

“… beautifully shot and coupled with the always brilliant work of Composer Schaun Tozer, who gave us the grime-filled music for the Vancouver based TV series Da Vinci’s Inquest and Intelligence, as well as music for the film Hard Core Logo, you have all you need for a modern day noir.”

JAMES C, Renegade Cinema

praise forThe Quality of Life

“The final note is musical. Composer Schaun Tozer, who has worked on all of Haddock’s major projects, has created an outstanding musical score. His melodies underscore the movie’s dramatic tension and bring it to a compelling crescendo. The way the film has been edited lets the music’s power and cadence complete it as a piece of art.”

ALISON CUNNINGHAM, TV Times